This post by Michael mentions it on CRP, which surprises me, given how thick CRP is. Others have reported ripple-like patterns. quad file to compensate so that the print didn’t appear too light. I had to solve my problem by printing at 1440 rather than 2880, and then using a spreadsheet to scale up the numbers in the. The location and pattern is much the same as the ripples I used to get. My comment to Larry, once I managed to see what he was talking about, was that this reminded me of an over-inking problem I had when starting out with Piezo on my old 2100. I printed this on the R3000, but the SuperFine quality was unavailable in Matte so I had to go with SuperPhoto instead. I used Print Quality set to SuperFine, MicroWeave at Super, High Speed unchecked, Edge Smoothing unchecked. This was unchecked, so presumably the platen gap was not wide. Epson cleverly hid it and called it “Reduce Scraping”. The reason it took me so long to reply to this post was it took me this long to find the platen adjustment. I was printing on Ultra Premium Presentation Matte, using the Epson inkset, using the Epson profile SPR2000 ultra premium presentation matte. The vertical bands are running parallel to the head movement. The next scan is a small portion that contains about 4-5 of the vertical cyan bands, and seems a little more accurate when compared to the print. The picture from the camera seems to have picked up more of the magentas in that portion of the sky. The vertical banding is an artifact from printing. There is some horizontal banding which is shifting from the cyans to magentas, and is real from the image. I’m not sure which banding you’re referring to. I need more specifics on platen, media type, paper, profile, and print direction and ideally a closer photo. If this is the vertical cyan-to-magenta banding that I see, then it’s probably still a head alignment issue coupled with the wrong platen gap. It’s very hard to see what’s going on there.
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